over an empire that stretched beyond the current boundaries of Cambodia and into Thailand, Laos, Vietnam and Burma. In the 13th century this empire was at its peak, and the royal city of Angkor with its one million inhabitants (comparable with today’s New York City) had become more than a center of political power in Southeast Asia, it was also a highly civilized society with irrigation systems, roads, canals, agriculture, and hospitals. The 100 temples in the Angkhor area comprised the sacred infrastructure of a spectacular administrative and religious centre.

Like all great civilizations Angkhor experienced both up and downturns. The Angkhor Empire suffered severe damage during conflicts with the Cham kingdom in Vietnam and the Bagan kingdom in Burma. Throughout the country there are clear traces of the many rivalries. The empire was not only threatened by external enemies; within the court there were also power struggles. These were often due to conflicts about religious questions such as whether the official state religion should be Hinduism or Buddhism.

The secular buildings, public houses, and palaces that were built in wood have, of course, long since disappeared. Only the temple houses of the gods that were built in stone and tile survived. Examples of the finest sculpture and carving work of both religions are well represented throughout the Angkhor area.

The downturn began after Jayavarman VII's death in 1219. Countless raids from Thailand over the next 200 years forced the Angkhor kings to move their administration to Phnom Penh. With few exceptions the Angkhor temples were only visited by pilgrims and holy men during the following 100 years. Since that time Angkhor’s temples were abandoned, forgotten and overgrown by lush jungles. Not until the French archaeologist Henri Mahout's rediscovery of these forgotten treasures in 1860 did attention turn to this world heritage site.

Even today the many architectural masterpieces worn down by erosion and weather are clear evidence of the milestones of a highly developed culture. These temples stand in stark contrast to the misery, poverty, and lack of vision from the same time period in European history. Only the Moors in southern Spain have left us similar architectural achievements.

In Angkhor, it is the artwork, the edifice and the landscape that unites into a mysterious, indefinable sense of ’genius loci’ (spirit of place) – you are humbled at the recognition of your own inadequacy.

Is this the recognition that is required of us to establish an enduring sense of vision, spirituality and richness in the architecture and sculpture of our time? If so, then go and experience poetry carved in stone.

I made the journey to Angkhor in 2002.
Henrik Bøegh