in the work of Andy Warhol, Jasper Johns, Martin Kippenberger, Marlene Dumas, and Tracey Emin. This introductory book surveys Munch’s staggering capacity for psychodrama in The Scream and beyond. With rich illustration, it looks at the lurid, dark, and deeply modern visions that made up the artist’s response to relationships and emotions. These compelling images, regarded by the artist himself as a means of “free confession,” remain as magnetic today as they were on the brink of modernism.