was compulsory; women were said to have given birth during the performance, and men were driven to fake death to escape. Nero kicked his pregnant wife to death and then had a young boy castrated to replace her as his spouse; then, during the great fire of Rome, he is said to have played the lyre to emphasize the beauty of the destruction. His eccentricities are a continuation of the tradition of his predecessors, only more perverted; Suetonius' account portray a strange man in strange times.